An important point we’ve been discussing is Native American representation in modern game culture, and just in general. In the American games industry especially, the library of games containing genuine representation designed by indigenous people is unfortunately scarce and overlooked due to the low participation of indigenous people in the games industry and the hugely oversaturated market of indie games. As we talked about before as well, a lot of times when a game with an indigenous focus and background is envisioned, the lack of resources can stand in the way of aspiring indigenous creators from finding each other and being able to support the grueling process of game development long-term.
However, the indie games that have been fully developed by indigenous lead designers and developers have sought out and to capture and immerse a player in an experience that captures the Native American lifestyle and history as accurately as possible, and in most cases are successful in that goal. Such is the case in When Rivers Were Trails, a 2D point-and-click game exploring the journey of an Anishinaabe tribe moving from Minnesota to California due to the Native American displacement and land allotment laws set in place in the 1890s.
With a majority of the game’s direction being decided by Indigenous creators, the game manages to keep established gameplay elements engaging while delivering several stories that stay heavily grounded in realism, most likely due to the fact that most may very well have been based directly on real events. That being said, as we have talked about earlier on this blog, there can be a huge benefit to also having non-indigenous creators on the team, as they could learn more about how to design an inclusive game by working firsthand with the lead designers and cooperating with them. When Rivers Were Trails does indeed include a diverse team of several ethnicities and backgrounds in order to positively represent an environment with an indigenous creative team at the helm. All workers were paid industry standard rates as well, and were given equal spaces in which to create their combined vision, which is a huge deal in the games industry. When Rivers Were Trails is a stellar example of an environment where indigenous creators were able to finally take the reins and create a work of art that tells legitimate stories about their cultures and past, and should be considered a huge symbolic step for the games industry.
LaPensée, Elizabeth A, Outi Laiti, and Maize Longboat. “Towards Sovereign Games.” Games and Culture, (June 2021). https://doi.org/10.1177/15554120211029195.
“When Rivers Were Trails by Indianlandtenure.” itch.io. Accessed October 24, 2021. https://indianlandtenure.itch.io/when-rivers-were-trails.
“Historical Stories.” When Rivers Were Trails Wiki. Accessed October 24, 2021. https://whenriversweretrails.fandom.com/wiki/Historical_stories.
I played When Rivers Were Trails for a previous game design class a few months ago, and I remember being really struck by how the game uses and evokes empathy. I tend to focus on character and story as a writer primarily myself, and I was curious how this game would handle this as, by it's nature, you're not really going to have many, if any, recurring characters. The game astounded me by using that, as part of the emotion of the story it is telling is that this is the end of indigenous life as they knew it at the time. There were so many things that you were just never going to see again, so only seeing each character briefly worked really well for it. You constantly feel a deep sadness of parting, and I felt that the game really expressed the emotions of a way of life ending, changing into something new.
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